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Antique Lamps – A Greek gods and humans lamp Subject
“Classical Greece” the Authority “recognized authority or excellence,” the definitive work on Greece “, or for the most advanced stage of a previous civilization and culture.
This interpretation of the concept of “classical” clearly defined, Greece, 500 BC, which has always inspired the Western world. The famous Acropolis, the Temple of Athena, is a perfect example of classical Greek architecture.
At different times of historical thought, from the great classical Greek design incorporated appeared in art and design and, above all, architecture. Architectural styles are inspired by elements of the ancient Greek temples, with the extensive use of marble Corinthian and Doric columns, friezes and decorative stair cases. These revisits are generally known today as periods of “neo-Greek. These movements have since the mid-18th century, dominant, lasting almost until the end of the 19th century, from 1750 to 1890.
When speaking of design and visual arts, the neo-classical, or back to the classic, can be dated with the introduction of c1765 in general as a reaction to the limitations of the old Baroque and Rococo styles, both of which were strong in form and decoration.
The neo-classical may be a desire to show the purity of clean lines and gathered back in ancient Greece to see. In France, this classic style has become known as the style name “Etruscan” and was rated highly by the court of Louis XV and XVI.
In the late 18th Century to 1830, strongly influenced the style designer, with a peak in the early years of the 19th Century. Interior and furniture designers began to design and produce Greek-style tables, chairs, wallpaper, ceramics, silver and even buses. These are all new in the classical Greek style with simple lines and decorative elements from the repertoire of Greek and Roman jewelry, especially of Greek vase painting and classical architecture, that is designed architectural motifs such as Greek Key repetitive, palmette and acanthus leaves. The range of colors typical of the neoclassical revival reasons include black spot on the tone and Pompeian red, powder blue, puce and olive trees, these colors are sometimes used in a unique decoration.
With the exception of porcelain and pottery of the time when we see these colors today, they appear as pastels. We forget that these objects were exposed to more than 200 years of light with original interior are long gone.
Since 1800, the European Archaeology “discovery” of ancient Greece, with new elements brought to the surface, literally! shipped in 1806, Lord Elgin architectural elements of the Parthenon in Athens to London events like this the impact of neo-classicism were to rise to new heights. Many artists are now the way to Greece and a constant stream of sketches and engravings have done road to the north.
The familiar style has swept Europe, now variously in France, as the Greek Revival style, and Empire in Regency England and Russia in the Empire style, with its influence, not only in architecture and design, but in literature, theater and music.
The Greek Revival had a profound influence on architecture, an influence that far into the 19th Century lasted. have used, in fact, it was not until 1840 that the term was used in Greek Revival, “at first thought of Charles Cockerell, a professor of architecture in a lecture to the Royal Society in 1842.
The style lasted until the 1860s, particularly in North America. The boom has seen the construction developed by many banks, courts and other large public buildings, including homes on the scale. From an architectural point of view, it was decided that reflect the intelligence, prosperity and stability, use Grand porticos supported by impressive columns, reminiscent of Greek temples.
With the decorative arts, the recovery has strengthened further in the period 1860-1870. At that time, of course, we talk characterized by the great Victorian era, with a design, now a robust Victorian. changed over the course of this decade, the late Renaissance, art and design on the new neo-classical, but this time without the approach early 19th Century elegance and fine lines.
This article is indicated with a lamp of the French Renaissance and its formal description -:
A century of rare, French, 19, black satin decorated stoneware lamp with a classic Greek. The light-derived style Bucchero, Etruscan vases, terra cotta classical Greek antiquity, around 500 BC These vases, typically with highly glazed black on a gray-painted black.
The amphora shaped lamp, an oval body, with a narrow neck and curved handles. The amphora resting on a pedestal in the short and stands on a round base. This form has been by the potter “Bucchero” presented in about 530 BC Nikosthenes
The theme of the decoration, Triptolemos, legendary mortal from Greek mythology, very popular with the gods. Demeter, goddess of agriculture devoted Triptolemus, the son of Celeus, king of Eleusis. “Demeter and her daughter Persephone, the goddess of spring growth, teach him the art of agriculture. Triptolemus from the rest of Greece learned to plant and harvest.
Triptolemus flies over the Earth in a winged car, a gift of the goddess, to complete his mission. The decoration painted with black figures shows Triptolemus in his winged car sits and holds his attribute, a scepter of maize, the goddess Demeter, passing from agriculture.
The other side of the lamp decorated with Demeter, the goddess of fertility and grain and Persephone, the goddess of spring growth and the queen of the underworld, the goddesses of Eleusis with torches and wheat sheaves. Demeter performance represented by the altar in the temple built in honor of Triptolemus.
The lamp on a custom stairs, circular, gold bronze base, the base put wheels painted black. The pellet custom made, gold-plated bronze.
1865 Overall height including shade 23 “/ 58.5 cm
The light in the Greek Etruscan style, produced with a polished black floor mat to produce selective about classical Greek. This example also shows the attention to detail and quality workmanship of this period Victorian expansion.
The descriptive term “neoclassical deviates” to the term “Greek Revival” and accepted as one of the leading c1765 – c1870, saw the revival of classical Greek architectural elements, extends in the Decorative Arts, Design Interior, literature and music.
This elegant, fine-lined style has never been surpassed and it is constantly being revisited by all aspects of design, architecture, interior design and fashion.
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